April is National Poetry Month. So what is poetry? What makes it so unique and why does it scare so many people? Join James Dewar in a fun, interactive presentation on “that other kind of writing”. It’s harder than it looks and easier than you think.
James Dewar is the publisher of Piquant Press. He has edited and published over a dozen books of poetry and co-edited three poetry anthologies. In addition to teaching advanced creative writing at Durham College he also teaches poetry writing and performance workshops such as “I Hate Poetry but Love it Anyway” and “Get Published Poetry”.
He has just been hired to put on a series of chapbook workshops for The League of Canadian Poets. His poems have been published in The Garden in the Machine and several anthologies and literary journals. He particularly enjoys organizing and hosting his monthly reading series in Toronto, Hot-Sauced Words, now in its sixth year. He is currently President of the Writers’ Community of Durham Region, an organization of over 350 writers (www.wcdr.ca). For more information about James, his workshops and writing retreats, please visit the website he and Sue Reynolds built: www.inkslingers.ca
The Malahat Review
Dare to dream!
Canada’s premier literary magazine invites entries from everywhere to Canada’s only national contest for aspiring poets who have yet to publish a book of their own. Submit up to three poems per entry, each poem no more than 60 lines long.
Deadline: May 1, 2012
For complete guidelines, go to http://malahatreview.ca
The Malahat Review, established in 1967, is among Canada’s leading literary journals. Published quarterly, it features contemporary Canadian and international works of poetry, fiction, and creative nonfiction as well as reviews of recently published Canadian poetry, fiction, and literary nonfiction. On occasion, it also publishes interviews, essays and issues on a single theme or author, such as P.K. Page (No. 117), Reviewing (No. 144), Robin Skelton (No. 160), The Green Imagination (No. 165), and Lorna Crozier, Patrick Lane, and Aesthetic Kinship (No. 170).